There, guests like Andrew Lloyd Webber, Cameron Mackintosh, Boggess, and Norm Lewis mingled before the show-and Lin-Manuel Miranda, ever the musical theater geek, traipsed around in a Phantom mask.
“There is no Broadway without ‘Phantom,’” Sierra Boggess, one of the musical’s most loved Christines, told Variety before the show.Īndrew Lloyd Webber deejays the “Phantom of the Opera” reopening party.įriday’s reopening began at an intimate cocktail reception for close friends of the production in the back courtyard of Barbetta, a theater-district restaurant down the street from the Majestic.
The chandelier inside the Majestic Theatre, Broadway’s most beloved ghost light, rose again on Friday evening as “ The Phantom of the Opera,” the longest running show in Broadway history, returned to its first performance since the industry’s COVID-19 shutdown and, with its soaring path above the audience, brightened the lights of Broadway to a brilliance and grandeur not experienced in 19 months.įriday evening’s reopening performance-a marathon event for the show’s guests, who made their way through cocktail parties, dinners, and after-parties celebrating the splendor of “Phantom’s” return-was devined to be one of the most special nights in Broadway history, and it was: Few shows in Broadway’s tenure have defined the commercial capabilities of theater and the stylistic characteristics of musicals like “The Phantom of the Opera.” The show, which opened on Broadway in 1988 and has never closed, takes its first post-pandemic bow not just as a monied buttress for the industry, but as a symbol for Broadway’s own endurance.
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